Ali gets out from prison more recently. He needs money to go to Germany. Therefore, he accepts the offer to kill a businessman. When he completes mission there is a huge trickery: money is fake.

Yaralı Kurt.1972.WEBDL-RiP.XviD.avi

General
Container:  	AVI
Runtime: 	1 h 22 min
Size: 	727 MiB
Video
Codec: 	XviD
Resolution: 	576x432 
Aspect ratio:  	4:3
Frame rate: 	25.000 fps
Bit rate: 	1 037 kb/s
BPP: 	0.167
Audio
#1:  	2.0ch AC-3 @ 192 kb/s

https://nitro.download/view/CFD75C943E3E137/Yarali_Kurt.1972.WEBDL-RiP.XviD.avi
https://nitro.download/view/BA8B9755E7F2CF7/Yarali_Kurt.1972.WEBDL-RiP.XviD.srt

Language(s):Turkish
Subtitles:English

The post Lütfi Akad – Yarali kurt AKA The Wounded Wolf (1972) first appeared on Cinema of the World.

The Wedding, which is the second part of Akad’s trilogy, depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul, is one of the best presentations of internal migration in Turkish cinema. Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema; an approach that is borne out by the film’s ‘happy ending’. The Wedding is profoundly impressive as a film that explores and comments on the painful period of change sweeping Turkey at the time, but also for its standpoint, a combination of social realism and socialist reality.

2.04GB | 1h 23m | 1920×1080 | mkv

https://nitro.download/view/4524160CEE63C5F/Dugun.1973.1080p.BEIN.WEB-DL.AAC2.0.H264-HdT.mkv https://nitro.download/view/852E5801F7AFEA1/Dugun.1973.1080p.BEIN.WEB-DL.AAC2.0.H264-HdT.srt

Language:Turkish
Subtitles:English

The post Lütfi Akad – Düğün AKA The Wedding (1973) first appeared on Cinema of the World.

Quote:
Lütfi Akad completes with Diyet (Blood Money) his trilogy based on internal migration. Diyet depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul. Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema.

3.08GB | 1h 28m | 1920×1080 | mkv

https://nitro.download/view/C086CB85B7B7138/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.mkv
https://nitro.download/view/6ABEC006456503E/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.srt
or
https://nitro.download/view/6171C80A9867684/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part1.rar
https://nitro.download/view/DEBC2847196479B/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part2.rar
https://nitro.download/view/9041013A20999E9/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part3.rar
https://nitro.download/view/12A656733232934/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.part4.rar
https://nitro.download/view/6ABEC006456503E/Diyet.1974.1080p.MUBI.WEB-DL.AAC.2.0.H.264-KUCHU.srt

Language(s):Turkish
Subtitles:English

The post Lütfi Akad – Diyet (1974) first appeared on Cinema of the World.

Quote:
The Bride, which depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul, is one of the best presentations of internal migration in Turkish cinema. It is also the first, and most accomplished film in Ömer Lütfi Akad’s celebrated trilogy, which with The Wedding (Dügün, 1973) and Blood Money (Diyet) has earned a respected place in world cinema for its thematic unity. The Bride masterfully exposes the evolution of ‘little Anatolia’ in Istanbul, a phenomenon that would go on to acquire far larger dimensions.

The streets of Istanbul are paved with gold – or so people believe… The Bride portrays the migrant mentality with disarming realism: the unfaltering determination to build a ‘present’ and ‘future’ in the big city, even if that means selling everything back home. And the exceptional performance of Hülya Koçyigit in the role of Meryem reinforces the pathos. Here is a film of ‘one-way’ journeys: we see the young Meryem … as life grows ever harsher; we follow her to the local factory, where she eventually signs on; we watch parallel developments in the family she married into. And their respective odysseys are central to the ‘great leaps forward’ of Turkish cinema at the beginning of the 1970s.

Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema; an approach that is borne out by the film’s ‘happy ending’. The Bride is profoundly impressive as a film that explores and comments on the painful period of change sweeping Turkey at the time, but also for its standpoint, a combination of social realism and socialist reality.

The Bride stands out for its economic perspective on the problems of the time, for its allegorical quality, its simple and well-structured narrative and a memorable soundtrack, which merely reinforces its realism. (-Ankara Film Festival)

Director: Omer Lutfi Akad
Ömer Lütfi Akad was born in Istanbul in 1916. He finished French Saint Jeanne d’ Arc School and Galatasaray High School and graduated from Istanbul College of Economics and Business. After working at Osmanlı Bank for a while, he served as an accountant in the Lale Film. He began writing plays for theater and films. He then worked as a financial consultant and film director in the Sema Film. In 1947 he started directing film with Seyfi Havaeri’s “Damga”. In 1949, Akad debuted as a film director with “Vurun Kahpeye” (Kill the Whore) an adaptation of Halide Edip Adıvar′s book. Akad attempted different kinds of themes: fiction (Tahir ile Zühre, 1951), detective story (Kanun Namına, 1952), adventure (İngiliz Kemal Lavrens′e Karşı, 1952), musical (Çalsın Sazlar Oynasın Kızlar, 1953), melodrama (Kalbimin Şarkısı, 1955), comedy (Cilalı İbo′nun Çilesi, 1957), documentary (Tanrı′nın Bağışı Orman, 1964), Anatolian folklore (Kızılırmak Karakoyun, 1967), love story (Vesikalı Yarim, 1968) and songs (Bir Teselli Ver, 1971).

Akad became one of the pioneers of the period in the “Director Generation”. The 1970s trilogy: Gerin (The Bride, 1973), Düğün (The Wedding, 1974) and Diyet (The Sacrifice, 1975) is considered his masterpiece. Afterwards, he withdrew from movie making instead directing adaptations for TV: Topuz, Ferman, Pembe İncili Kaftan, Diyet, Bir Ceza Avukatının Anıları, Dört Mevsim İstanbul. In 2009, Akad received an honorary award in the 16th Altın Koza Film Festival. He taught at the Cinema and TV Institute of the Mimar Sinan University.

2.13GB | 1h 27m | 1920×1080 | mkv

https://nitro.download/view/6076FF23F5EA1A8/Gelin.1973.1080p.BEIN.WEB-DL.AAC2.0.H264-HdT.mkv
https://nitro.download/view/ADF5C620E9E5E66/Lutfi_Akad-Gelin_(‘The_Bride’)_(1973)_v2.srt

Language(s):Turkish
Subtitles:English

The post Lutfi Akad – Gelin AKA Bride (1973) first appeared on Cinema of the World.

IMDB:
In the absence of his father, a little boy and his mother live by themselves on a poor suburb for years. Boy impatiently waits his father’s return, till the day a wounded outlaw takes refuge in their home.

472MB | 1h 30m | 640×480 | mkv

https://nitro.download/view/1D628420A368F52/Uc_Tekerlekli_Bisiklet_1962.WebDL.mkv
https://nitro.download/view/EC3C0E49699B27F/Uc_Tekerlekli_Bisiklet_1962.WebDL.srt

Language(s):Turkish
Subtitles:English

The post Lütfi Akad & Memduh Ün – Üç tekerlekli bisiklet AKA The Tricycle (1962) first appeared on Cinema of the World.

Quote:
The film narrates the struggle of Tahir and Zühre, two lovers trying to reunite. Zühre is a princess while Tahir is the son of a vizier. Growing up together in the palace, the two are deeply in love with each other. However, Bekir, one of the heirs to the dynasty, opposes their marriage. Bekir spreads rumors about Tahir in order to prevent their marriage. So, Tahir falls out of favor with the Sultan due to the rumors about him. Tahir and Zühre will have to make sacrifices to be together. (Yiğitalp Ertem)

1.31GB | 1 h 52 min | 1280×720 | mkv

https://nitro.download/view/BAE72341A20E3D2/Tahir.ile.Zuhre.1952.720p.WEB-DL.AAC2.0.H.264.mkv

Language(s):Turkish
Subtitles:None

The post Lütfi Akad – Tahir ile Zühre (1952) first appeared on Cinema of the World.

Ömer Lütfi Akad, aka Lütfi Ömer Akad, (b. 1916) is a Turkish film director, who directed movies from 1948-1974. In 1949, he debuted as a film director with Vurun Kahpeye (“Kill the Whore”) an adaptation of Halide Edip Adıvar’s book of the same title. He became one of the pioneers of the period in the “Director Generation”. The 1970s trilogy, The Bridge; The Wedding; and The Sacrifice, is considered his masterpiece. Afterwards, he withdrew from movie making instead directing adaptations for TV.

Lütfi Akad directs 4 films. Among them Kanun Namına (In The Name of The Law), adapted from a real story, becomes a milestone in the history of the Turkish screen. Really, Akad brought a new breath and caused to gain a new language to a cinema who tried to express itself for ages. Living characters, actual events and the usage of natural environment put Kanun Namına (In The Name of The Law) its place inside the historical process.

(…)
With the year’s most important film, Akad’s Kanun Namına (In the name of the law), the Turkish screen gains its first big star: Ayhan Işık. Işık came to the movies through a contest promoted by a film magazine (Yıldız/Star) and, as a winner, got his first part in Yavuz Sultan Selim and Yeniçeri Hasan (The Sultan Yavuz Selim and Hasan the Janissary, 1951). Another winner of the same contest, Belgin Doruk, soon became also a top female star.
This film was based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide, typical for Turkish drama / action movies of the time. When the movie was shown, the common idea was that it has a lot of similarities with 1939-dated “Le jour se léve”, starring Jean Gabin and Marcel Carné. But these events actually occured in İstanbul, and there was no relation between this film and the French one. This can be categorized as a realist movie, carrying the camera into the streets. This film is also said to be the film that carried Ayhan İsik, a very famous Turkish actor of 50′s and 60′s, to stardom.

The quality is not very good. There was no restoration on the original movie. Unfortunately no subtitles.

699MB | 1h 33mn | 528×400 | avi

https://nitro.download/view/5A712516309198C/Kanun.Namina.1952.DVDRip.XviD-KG.avi

Language(s):Turkish
Subtitles:None

The post Lutfi Akad – Kanun namina aka In the Name of the Law (1952) first appeared on Cinema of the World.