Lina Romay – Cinema of the World https://worldscinema.torrentbay.st Sun, 05 Dec 2021 11:11:19 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Lina Romay – Cinema of the World https://worldscinema.torrentbay.st 32 32 Jesus Franco & Lina Romay – Una Rajita Para Dos AKA A Crack For Two (1984) https://worldscinema.torrentbay.st/2021/11/una-rajita-para-dos-1984/ https://worldscinema.torrentbay.st/2021/11/una-rajita-para-dos-1984/#respond Wed, 17 Nov 2021 07:20:00 +0000 https://worldscinema.torrentbay.st/?p=158395 Quote:Yet another hardcore film co-directed by Jess Franco and Lina Romay[Lulu LaVerne] As usual with a Franco hardcore picture, this film doesn’t go for anything sexual but instead it throws countless sex scenes into a bizarre story. The story centers around a government agent who is following a spy (Romay) who puts some sort of …

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Quote:
Yet another hardcore film co-directed by Jess Franco and Lina Romay[Lulu LaVerne] As usual with a Franco hardcore picture, this film doesn’t go for anything sexual but instead it throws countless sex scenes into a bizarre story. The story centers around a government agent who is following a spy (Romay) who puts some sort of secret chip up women’s butts in order to carry out only God knows what. I had to view this film in Spanish without any subtitles so I’m not exactly sure what the chips were being used for but it doesn’t appear that there was too much to the story since the majority of the 83-minute running time centers on the sex scenes. For the most part these scenes are poorly shot and you can tell that the director was working on a very low budget. At least this time out Franco was able to cast some better looking women as some of his hardcore films seem to have him digging at the bottom of the barrel. Romay is pretty good in her few scenes in the film, although she only appears at the start and end. If you’re wanting to see her in hardcore action then here’s another chance as that’s all she’s really doing. The supporting cast members are interesting at best, although Franco does show up in a few scenes. There’s really nothing here that stands out among the other hardcore films Franco was making during this time period but if you must view everything the director has done (like me) this one here is certainly far better than some of the movies he was making around this time

                                                   Lina                                                                      Jeff

850MB | 1h 23m | 624×384 | avi

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Language(s):Spanish
Subtitles:English

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Jesus Franco & Lina Romay – Confesiones Intimas de una Exhibicionista AKA Intimate Confessions Of An Exhibitionist (1983) https://worldscinema.torrentbay.st/2019/03/jesus-franco-lina-romay-confesiones-intimas-de-una-exhibicionista-aka-intimate-confessions-of-an-exhibitionist-1983/ https://worldscinema.torrentbay.st/2019/03/jesus-franco-lina-romay-confesiones-intimas-de-una-exhibicionista-aka-intimate-confessions-of-an-exhibitionist-1983/#respond Sat, 16 Mar 2019 10:31:42 +0000 https://worldscinema.torrentbay.st/?p=94690 Candy tells the story of her life, her dissatisfaction with her male lovers, her desire for her girlfriend Katy and the route that led her into stripping. This is 80 minutes of flesh, bordering on the hardcore, sometimes on the gynaecological, and supposedly directed by Lina Romay (Candy Coster). Her husband Jess Franco was probably …

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Candy tells the story of her life, her dissatisfaction with her male lovers, her desire for her girlfriend Katy and the route that led her into stripping. This is 80 minutes of flesh, bordering on the hardcore, sometimes on the gynaecological, and supposedly directed by Lina Romay (Candy Coster). Her husband Jess Franco was probably on hand somewhere. Romay in 1982 is not the trim young sexpot she was in the early 70s but she loves to get stuck in and there are still moments of genuine eroticism. It’s a shame a ridiculous blond-white wig often offsets her cute, slightly buck-toothed face. This was remade by Franco in 1986 as El Mirón y la Exhibicionista as a hardcore feature.

There is a measure of controversy surrounding the authorship of this late entry in the Spanish softcore series but the balance seems to be inclined in favour of Jess Franco being the true auteur of Confesiones íntimas de una exhibicionista. Whatever the case, the credits do contain another of Franco’s beloved spurious credits, attributing the script basis to the alleged memoirs of “Candy Coster”. The latter, of course, is one of the many pseudonyms of Lina Romay, here seen in the role of a nightclub sex performer initially seen in one of her acts, as she proceeds to present herself to the audience in voice-over, paving the way for the long flashback that is the film’s main body. Candy (for this is the character’s name) awakened sexually in her teens while watching her sister (Juana de la Morena aka Mrs. Antonio Mayans) in sexual rapture with her Argentinean lover (José Ferro, dubbed by Mayans), until one day (a common occurrence in such films) she crossed into the diegesis of the “movie” she was watching and joined in the fun. This was to be the beginning of several relationships: first, an unsuccessful one with a gay writer (Mayans), then a successful but tragic union with a liberal woman (Jasmina Bell) and hr husband (Tony Skios, dubbed by Franco).
One may view this in relation to Franco’s work or to Spanish softcore cinema in general. In any case, they both coincide in that, this being 1983 (the last year of Spanish soft-porn), the makers, both because of the playing out of the old form and the imminence of the new one, have pushed this one as far as possible in the direction of hardcore, both in the wealth of sexual encounters featured and the fact that Franco seems to be essaying the curious formula of “hard softcore” (almost there, but not quite). The “biographical” story line makes that one can dispense with a narrative as such and include as many sex scenes as possible. The results, at least, are preferable to Carlos Aured’s awful incursion in the same territory, El hombre del pito mágico and Lina Romay is in fine form, to the extent that even her voice sounds less grating than usual. On the other hand, Jasmina Bell, a better-looking woman than Romay, is, once again, remarkably poor, even if less egregiously so than in Aured’s Apocalipsis sexual. At least, they all look gracious when they bow at the end before the audience, the right way to stop a film that in principle, and by virtue of the format chosen, could have gone on forever.

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Language(s):Spanish
Subtitles:English

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