Quote:
Starting with the screening of O Mandarim in 1996, Júlio Bressane became a regular at IFFR — one of its patron saints, one could even say, as many of his films were selected for later editions. In 2000, the festival honoured the cinema marginal paragon with one of the first comprehensive retrospectives on his work outside his native Brazil. It is, thus, more than fitting that Bressane’s extensive reflection on his six decades of filmmaking, The Long Voyage of the Yellow Bus, done in tandem with Rodrigo Lima, is one of IFFR 2023’s centrepieces!

For this behemoth, Bressane took his complete works and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

– Olaf MöllerQuote:
Starting with the screening of O Mandarim in 1996, Júlio Bressane became a regular at IFFR — one of its patron saints, one could even say, as many of his films were selected for later editions. In 2000, the festival honoured the cinema marginal paragon with one of the first comprehensive retrospectives on his work outside his native Brazil. It is, thus, more than fitting that Bressane’s extensive reflection on his six decades of filmmaking, The Long Voyage of the Yellow Bus, done in tandem with Rodrigo Lima, is one of IFFR 2023’s centrepieces!

For this behemoth, Bressane took his complete works and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
– Olaf Möller

A longa viagem do onibus amarelo.mkv

General
Container:  	Matroska
Runtime: 	7 h 11 min
Size: 	6.44 GiB
Video
Codec: 	x264
Resolution: 	1280x720 
Aspect ratio:  	16:9
Frame rate: 	23.976 fps
Bit rate: 	1 945 kb/s
BPP: 	0.088
Audio
#1:  	2.0ch AAC LC @ 192 kb/s

https://nitro.download/view/0BC7F5E994A0D0F/A_longa_viagem_do_onibus_amarelo.mkv

Language(s):Portuguese
Subtitles:English (hardcoded)

The post Júlio Bressane & Rodrigo Lima – A longa viagem do ônibus amarelo AKA The Long Voyage of the Yellow Bus (2023) first appeared on Cinema of the World.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head.

1.77GB | 1h 14m | 1920×1080 | mkv

https://nitro.download/view/1202D2C374133F7/Capitu.e.o.Capitulo.2021.1080p.WEB.x264-gooz.mkv

Language(s):Portuguese
Subtitles:English hard

The post Júlio Bressane – Capitu e o Capítulo AKA Capitu and the Chapter (2021) first appeared on Cinema of the World.

Julio Bressane wrote:
“When I made O Anjo Nasceu I thought I had made my most difficult film, a completely irresponsible film, that space, that vacuum, that nothing. It was a devastating experience for me, a shock. Much, much more than Matou a Família e Foi ao Cinema, which was a well-received film. I think O Anjo Nasceu is still unknown territory, even for me”

Quote:
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits.

1.19GB | 1h 02m | 706×529 | mkv

https://nitro.download/view/7238F4C6A9EE9C5/O_anjo_nasceu_-_Julio_Bressane_(1969).mkv
or
https://tezfiles.com/file/1011f7a53f4a0/O_anjo_nasceu_-_Julio_Bressane_%281969%29.mp4

Language(s):Portuguese
Subtitles:English

The post Júlio Bressane – O Anjo Nasceu (1969) first appeared on Cinema of the World.

Claudio Carvalho, Rio de Janeiro, Brazil@IMDb wrote:
A dysfunctional family, composed of a prostitute and two gays, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.

1.08GB | 1h 00m | 706×514 | mkv

https://nitroflare.com/view/9E337A743E100FD/A_familia_do_barulho_-_Julio_Bressane_(1970).mkv

Language(s):Brazilian (Portuguese)
Subtitles:English

The post Júlio Bressane – A Família do Barulho (1970) first appeared on Cinema of the World.

Quote:
A man, sort of penpusher living in the darkness of books or in a ruined house with his dying mother, watches out for of a radiant, rich young girl. Her father meanwhile seems to organize some political trick with accomplices.

1.49GB | 1h 11mn | 696×522 | mkv

https://nitroflare.com/view/2A17311BFF97A27/Cara_a_cara_-_Julio_Bressane_(1967).mkv

Language(s):Portuguese (Brasilian)
Subtitles:English, Portuguese (Brasilian)

The post Júlio Bressane – Cara a Cara (1967) first appeared on Cinema of the World.

The pleasure, where it does not end

Love is also time suspended by the word, the language – Portuguese in this case – which invites itself into the body, which hypnotizes them and returns them to a happy flesh. All of Bressane’s staging can be found there, all of this surprising and obvious invention, that is to say alive. In its rhythm, in its editing, in its ruptures, its winks and even its obscurities which we know all come out of the same passion …
A triangle – three beings – suspended in desire, a desire that hangs on all their gestures.

1.46GB | 1h 30mn | 718×448 | mkv

https://nitroflare.com/view/C566FB30B161F57/Filme_de_Amor_-_Julio_Bressane_(2003).mkv

Language(s):Brazilian (Portuguese)
Subtitles:English

The post Júlio Bressane – Filme de Amor (2003) first appeared on Cinema of the World.

Documentary about Brazilian pop diva Maria Bethânia, in one of her first shows in Rio de Janeiro. The film also show scenes of her daily life and meetings with other musicians.

540MB | 33 min 4 s | 984×720 | mkv

https://nitroflare.com/view/8CB3D1EE8ED837C/Bethania.Bem.De.Perto.1966.720p.WEBRip.x264-gooz.mkv
https://nitroflare.com/view/9D56E1C7DF8B71D/Bethania.Bem.De.Perto.1966.720p.WEBRip.x264-gooz.srt

Language:Portuguese
Subtitles:English

The post Júlio Bressane & Eduardo Escorel – Bethânia Bem de Perto – A Propósito de um Show (1966) first appeared on Cinema of the World.