A postcard from an imploded society. Bringing mundane objects to life to interpret place through materials, the film transcribes an experience of pattern, labor and alien(nation)(s). A pattern parade in pop music pairs figure and landscape to trip through the topologies of codification. Following components, systems, and samples in a collage of textiles, tourism, language, and music, the film investigates recurring motifs and how their metamorphoses function within a global economy.

2.17GB | 1h 00m | 1920×1080 | mkv

https://nitro.download/view/8FCEF52E9D400B0/The_Grand_Bizarre_(2018,_60m30s,_16mm,_color,_sound).mkv

Language(s):None
Subtitles:None

The post Jodie Mack – The Grand Bizarre (2018) first appeared on Cinema of the World.

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Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.

770MB | 40 min 36 s | 1280×720 | mkv

https://nitro.download/view/F7DB73E65B52A0B/Dusty_Stacks_of_Mom-The_Poster_Project.mkv

Language(s):English
Subtitles:None

The post Jodie Mack – Dusty Stacks of Mom: The Poster Project (2013) first appeared on Cinema of the World.

A choreographed motion study for twinkling trinkets: costume jewelry and natural wonders join forces to perform plastic pirouettes, dancing a luminous lament until the tide comes in.

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Best known for her single-frame animations centered on fabrics, weaving, and other craft-based materials, Mack has recently taken an interest in a more conventional photography, examining objects like reflective mobiles that have the capacity to instigate semi-psychedelic, prismatic light-play, but on the cheap. These are the optical toys of our time, the glinting doodads from Justice or Hot Topic that bring the hypnotic dazzle of reflective light into the mundane self-styled universe of the girls’ dorm room. (These shiny points of jagged illumination can provoke what Kenneth Anger believed to be epiphanic moments of communion with Lucifer, the God of Light.) Something Between Us plays with the cheap shine of costume jewelry, but does so in a broader, more environmental manner. Not only do we see hands rolling bracelets and dangling necklaces like toys before the magpie. Mack intercuts these close-ups with shots of a hazy lakeside forest, its early dawn refracted by the misty fog to produce rainbow prisms and flares. In time, Mack is alternating between this “natural” light and its highly artificial facsimile, the trinkets swinging to their own chiming electronic theme song. A game show bell dings mid-film, as though we’ve found the right answer when the organic is largely vanquished in favor of Mack’s pendular, sun-dappled Claire’s Boutique of the mind. A breakthrough work by one of the best filmmakers working today.

http://nitroflare.com/view/181B0CA3192DAB2/Somethin_Between_Us_%28Jodie_Mack%2C_2015%29.mkv

Language(s):None
Subtitles:None

The post Jodie Mack – Something Between Us (2016) first appeared on Cinema of the World.