Gus Van Sant – Cinema of the World https://worldscinema.torrentbay.st Fri, 24 Apr 2026 16:18:00 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Gus Van Sant – Cinema of the World https://worldscinema.torrentbay.st 32 32 James Franco & Gus Van Sant – My Own Private River (2012) https://worldscinema.torrentbay.st/2025/04/james-franco-gus-van-sant-my-own-private-river-2012/ https://worldscinema.torrentbay.st/2025/04/james-franco-gus-van-sant-my-own-private-river-2012/#respond Sat, 05 Apr 2025 01:04:00 +0000 https://worldscinema.torrentbay.st/?p=242857 Footage from My Own Private Idaho (1991) is re-contextualized in James Franco’s tribute to River Phoenix. My.Own.Private.River.2012.SD.WEB-DL.AAC.2.0.H.264.mkvGeneralContainer: MatroskaRuntime: 1h 41mnSize: 305 MiBVideoCodec: h264Resolution: 608x352Aspect ratio: 1.727Frame rate: 23.976 fpsBit rate: 323 kb/sAudioEnglish 2.0ch AAC LC @ 96.0 kb/s https://nitro.download/view/D23D308E93D690F/My.Own.Private.River.2012.SD.WEB-DL.AAC.2.0.H.264.mkv Language(s):EnglishSubtitles:None

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Footage from My Own Private Idaho (1991) is re-contextualized in James Franco’s tribute to River Phoenix.



My.Own.Private.River.2012.SD.WEB-DL.AAC.2.0.H.264.mkv

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Language(s):English
Subtitles:None

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Gus Van Sant – Mala Noche (1986) https://worldscinema.torrentbay.st/2024/12/gus-van-sant-mala-noche-1986/ https://worldscinema.torrentbay.st/2024/12/gus-van-sant-mala-noche-1986/#respond Sat, 07 Dec 2024 03:06:00 +0000 https://worldscinema.torrentbay.st/?p=236328 With its low budget and lush black-and-white imagery, Gus Van Sant’s debut feature Mala Noche heralded an idiosyncratic, provocative new voice in American independent film. Set in Van Sant’s hometown of Portland, Oregon, the film evokes a world of transient workers, dead-end day-shifters, and bars and seedy apartments bathed in a profound nighttime, as it …

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With its low budget and lush black-and-white imagery, Gus Van Sant’s debut feature Mala Noche heralded an idiosyncratic, provocative new voice in American independent film. Set in Van Sant’s hometown of Portland, Oregon, the film evokes a world of transient workers, dead-end day-shifters, and bars and seedy apartments bathed in a profound nighttime, as it follows a romantic deadbeat with a wayward crush on a handsome Mexican immigrant. Mala Noche was an important prelude to the New Queer Cinema of the nineties and is a fascinating capsule from a time and place that continues to haunt its director’s work.



Mala.Noche.1986.DVDRIP.x264.AC3.KJNU.mkv

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Language(s):English
Subtitles:English

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Gus Van Sant – Drugstore Cowboy (1989) https://worldscinema.torrentbay.st/2023/12/drugstore-cowboy-1989/ https://worldscinema.torrentbay.st/2023/12/drugstore-cowboy-1989/#respond Sat, 09 Dec 2023 01:04:00 +0000 https://worldscinema.torrentbay.st/?p=211660 Drugstore Cowboy (1989) A group of drug addicts in the 1970’s help finance their habit by robbing drug stores. A highly superstitious Bob and wife Diane love to do various pharmaceutical drugs like dilaudid, morphine and cocaine. To maintain the habit, they steal from pharmacies with the help of another couple. A cop that eventually …

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Drugstore Cowboy (1989)
Drugstore Cowboy (1989)

A group of drug addicts in the 1970’s help finance their habit by robbing drug stores. A highly superstitious Bob and wife Diane love to do various pharmaceutical drugs like dilaudid, morphine and cocaine. To maintain the habit, they steal from pharmacies with the help of another couple. A cop that eventually gets too close for comfort, which causes the crew to move their operation to another town. Before long, one of the crew dies of an overdose; the body has to be moved from their hotel room to their car. The problem is that there is an unexpected sheriff’s convention assembling at the hotel where they’re staying. Bob believes that one of his superstitious beliefs caused this incident and is scared into joining a methadone program. Leaving his past proves harder than he anticipated, though.

Drugstore Cowboy (1989)
Drugstore Cowboy (1989)
Drugstore Cowboy (1989)
Drugstore.Cowboy.1989.BDRIP.576p.x264.AC3.KJNU.mkv

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Language(s):English
Subtitles:English

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Gus Van Sant – Paranoid Park (2007) (HD) https://worldscinema.torrentbay.st/2023/08/paranoid-park-2007-hd/ https://worldscinema.torrentbay.st/2023/08/paranoid-park-2007-hd/#comments Sat, 05 Aug 2023 11:03:32 +0000 https://worldscinema.torrentbay.st/?p=201300 Synopsis wrote:An unsolved murder at Portland’s infamous Paranoid Park brings detectives to a local high school, propelling a young skater into a moral odyssey in which he must not only deal with the pain and disconnect of adolescence but also the consequences of his own actions. Original 1.37 aspect ratio. Paranoid.Park.2007.720p.BluRay.x264-AO.mkv General Container: Matroska Runtime: …

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Synopsis wrote:
An unsolved murder at Portland’s infamous Paranoid Park brings detectives to a local high school, propelling a young skater into a moral odyssey in which he must not only deal with the pain and disconnect of adolescence but also the consequences of his own actions.

Original 1.37 aspect ratio.

Paranoid.Park.2007.720p.BluRay.x264-AO.mkv

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Language(s):English
Subtitles:English, French, Dutch, Serbian, German, Italian, Finnish, Greek, Korean, Portuguese, Spanish, Turkish

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Gus Van Sant – Gerry (2002) https://worldscinema.torrentbay.st/2023/07/gerry-2002/ https://worldscinema.torrentbay.st/2023/07/gerry-2002/#respond Tue, 04 Jul 2023 01:16:00 +0000 https://worldscinema.torrentbay.st/?p=197924 Two men named Gerry are driving through the desert regions of Death Valley, traveling towards an unknown destination. They pull over and set out on foot, presuming they’re getting close to what they’ve come to find… Gerry - Gus Van Sant (2002).mkv General Container: Matroska Runtime: 1 h 42 min Size: 2.91 GiB Video Codec: …

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Two men named Gerry are driving through the desert regions of Death Valley, traveling towards an unknown destination. They pull over and set out on foot, presuming they’re getting close to what they’ve come to find…

Gerry - Gus Van Sant (2002).mkv

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https://nitro.download/view/075EF8FDEA54F37/Gerry_-_Gus_Van_Sant_(2002).mkv

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Language(s):English
Subtitles:English, French

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Gus Van Sant – Elephant (2003) https://worldscinema.torrentbay.st/2020/10/gus-van-sant-elephant-2003/ https://worldscinema.torrentbay.st/2020/10/gus-van-sant-elephant-2003/#respond Wed, 14 Oct 2020 13:03:10 +0000 https://worldscinema.torrentbay.st/?p=135217 Quote:Structured in elegantly fluid and elliptically interconnected episodes from a roving, multiple student point-of-view, Elephant is an incisive and poetic, yet relevant and deeply disturbing portrait of the unfolding of a fictional, modern-day high school massacre in suburban America. Van Sant presents a richly textured and complexly interwoven series of mundane student interactions and astute …

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Quote:
Structured in elegantly fluid and elliptically interconnected episodes from a roving, multiple student point-of-view, Elephant is an incisive and poetic, yet relevant and deeply disturbing portrait of the unfolding of a fictional, modern-day high school massacre in suburban America. Van Sant presents a richly textured and complexly interwoven series of mundane student interactions and astute slice-of-life observations (except for a scene of sexual experimentation between the plotters that seems improbably out of character) that are intrinsically linked together through long and sinuous tracking shots of the school’s cold and impersonal labyrinthine corridors and rooms. Inevitably, what emerges is a profound sense of alienation and the oppressive, inescapable, and moribund institutionalization of its adrift and desperate characters.

1.36GB | 1h 21mn | 768×576 | mkv

https://nitroflare.com/view/3EE21525284C3C7/Gus_Van_Sant_-_(2003)_Elephant.mkv

Language(s):English
Subtitles:English

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Gus Van Sant – To Die For (1995) https://worldscinema.torrentbay.st/2019/11/gus-van-sant-to-die-for-1995/ https://worldscinema.torrentbay.st/2019/11/gus-van-sant-to-die-for-1995/#comments Sat, 09 Nov 2019 16:18:51 +0000 https://worldscinema.torrentbay.st/?p=116523 It’s hardly an earthshaking revelation that we live in a culture where fame (or its cheaper companion, notoriety) is the secular equivalent of sainthood. But “To Die For,” Gus Van Sant and Buck Henry’s brilliant satire, makes that discovery seem like a clarion call from the heavens or—more appropriately—a rock-’em, sock-’em TV sound bite. Henry’s …

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It’s hardly an earthshaking revelation that we live in a culture where fame (or its cheaper companion, notoriety) is the secular equivalent of sainthood. But “To Die For,” Gus Van Sant and Buck Henry’s brilliant satire, makes that discovery seem like a clarion call from the heavens or—more appropriately—a rock-’em, sock-’em TV sound bite.

Henry’s script, based on Joyce Maynard’s novel, is assured, sophisticated and mercilessly glutted with funny zingers. Van Sant’s fluid, subtly wicked direction is a personal redemption of sorts; he’s the one responsible for the legendarily abysmal “Even Cowgirls Get the Blues.” But what gives the movie its sharpest, sweetest edge is Nicole Kidman.

As Suzanne Stone, the scheming, murderously ambitious TV news personality who’ll stop at nothing to claim her place in the celestial skies next to Barbara and Connie, she whets, smooths and sharpens what could be the finest role of her career.

In a place called Little Hope, N.H., we learn immediately that there has been bloodshed, and that cable TV weathergirl Kidman (a “seductress,” according to screaming tabloid headlines) is a possible suspect in the murder of her oafish, sweet-natured husband, Matt Dillon. Then the complete story unfolds in a “60 Minutes”-meets- “Rashomon” faux-documentary format, in which we hear testimony from Kidman (who addresses the camera directly in the newscaster style she has geared her whole life toward); Illeana Douglas, Dillon’s tell-it-like-it-is, ice-skating sister; and many others, including Kidman’s and Dillon’s parents and a teenage girl (Alison Folland) who played a significant role in the tragedy.

It starts when small-town beauty Kidman seduces and marries Italian-American husband Dillon, a dumb dreamboat and about the biggest catch she can get in that place. Kidman’s pie-in-the-sky dream to head a prime-time TV show has to start somewhere. So, without a trace of television experience, she persuades the local cable TV station manager (tubby Wayne Knight of “Seinfeld”) to hire her as a gofer. She soon parlays the grunt job into a regular stint as the weather reporter. She also produces a hilariously trite cable special called “Teens Speak Out!” for which she enlists painfully inarticulate students Joaquin Phoenix, Casey Affleck and Folland.

But when Dillon, set to inherit his father’s Italian restaurant, asks his wife to drop the weather slot and start making babies, Kidman’s big plans are threatened. The course of action she decides upon is, well, pure Oprah.

Director Van Sant, who made “My Own Private Idaho,” “Drugstore Cowboy” and “Mala Noche,” reasserts his impressive filmmaking status—and establishes his comedic abilities. There’s a brilliant piece of cinema when Kidman dances to “Sweet Home Alabama” in the rain, while Phoenix (who’s completely enchanted with this small- town celebrity) watches with open-mouthed adulation. And the movie’s final scene, underlined by a particularly apt song from Donovan (it’s best left unrevealed), is destined for immortal cult status.

Dillon couldn’t be better as the dumb ‘n’ pretty, high school lady-killer, who becomes a deadly dull couch potato. Douglas, with her sarcastic commentary on Kidman (she calls her “The Ice Maiden”), is priceless. And the delicately featured Phoenix (yes, River’s brother) has an extraordinary, chic-oddball presence.

But, just as her desperate character would have it, Australian actress Kidman grabs center stage and never relinquishes the position. Playing mercilessly against her pinup girl image, she’s an unforgettable, comic archetype—a more slapsticky corollary to William Hurt’s bumbling, handsome newscaster in “Broadcast News.” Her character’s attempts to dignify ignorance with brazen, telegenic confidence are hilarious. Defending the use of her maiden name for “professional” reasons, she matter-of-factly tells the audience, “Jane Pauley doesn’t call herself Jane Trudeau, even though her husband, Mr. Trudeau, is a prominent cartoonist of some kind.” And when, at one point, she protests, “What’s the point of doing anything worthwhile if people aren’t watching?” she’s unwittingly composing her own epitaph, as well as this society’s.
Desson Howe @ Washington Post , 1995

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Language(s):English
Subtitles:English srt

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