Quote:
Harrington s final film before he died in 2007, Usher is a remake of a short he made in high school based on the classic Edgar Allan Poe story The Fall of the House of Usher. He once again expresses his interest in the occult by casting known members of the Church of Satan, Nikolas and Zeena Schreck.

Curtis Harrington, widely regarded as one of the important avant-garde directors of the 1940’s, as well as an early influential figure in what would come to be known as ‘New Queer Cinema,’ was born in Los Angeles in 1926. He began making films as a teenager, often deeply surreal, intuitive, and owing much to the writings of Edgar Allan Poe. After graduating from UCLA with a degree in film studies, his unique career trajectory led him from the academic circles of cinematic criticism (he wrote a publication on the films of Josef von Sternberg); to the Hollywood assistant desk of writer/producer Jerry Wald; to the elite group of independent filmmakers associated with Kenneth Anger (the two remained life-long friends and colleagues); to the famed film factory of cult icon Roger Corman; then on to his own stint in the world of genre movie-making with Night Tide and Games; and most unpredictable of all, to finding commercial success in television. This publication, a joint effort between Flicker Alley and Drag City featuring restorations carried out by the Academy Film Archive on a single-disc Blu-ray/DVD combo, comprised of six short films by the late experimental filmmaker, as well as bonus interview footage and rarely-seen early works.

Once upon a time, the U.S. of A. had our own Jean Cocteau in the making, but he was too early for the 1960s window that let his spiritual kin (Kenneth Anger) and progeny (Andy Warhol) in, and we consigned him to a downward trajectory of increasingly camp-value-laden features until he finally had to make his living directing scattered episodes of addictive-crap TV like Dynasty. But a little treasure trove of Curtis Harrington’s dreamlike, lush, sexually ambiguous, and death-obsessed short films remains, the newly restored versions of which have now been carefully compiled for this new Blu-ray release, and they are a revelation. In the five shorts that he made between 1946 and 1955, Harrington, using more imagination and inspiration than material resources, used the magical medium of cinema to inscribe his wordless visions of the ineffable exaltations and horrors of sex and death, longing, and perpetually mutable identity onto celluloid in a way more famously associated with Luis Bunuel or David Lynch; in some ways, in the chronological aesthetic lineage of cinema, he’s the long-missing link between the two. But it’s much better late than never to have the chance to get lost in Harrington’s transfixing, seductive miniature dreamscapes; The Curtis Harrington Collection is the most gratifying resurrection of an undeservedly obscured film artist to be bestowed upon us in quite some time, and is sure to secure the ascension of these lost, strange, highly accomplished labors of love to their rightful place — right up alongside the best of Maya Deren and Stan Brakhage — in the pantheon of American avant-garde/experimental cinema. Highly Recommended.

Usher.2002.1080p.BluRay.AC3.x264.mkv

General
Container:  	Matroska
Runtime: 	36mn 48s
Size: 	2.99 GiB
Video
Codec: 	x264
Resolution: 	1920x1080 
Aspect ratio:  	16:9
Frame rate: 	23.976 fps
Bit rate: 	11.4 Mbps
BPP: 	0.230
Audio
#1:  	English 2.0ch AC-3 @ 192 Kbps

https://nitro.download/view/4ABB767490CE036/Usher.2002.1080p.BluRay.AC3.x264.mkv

Language(s):English
Subtitles:None

The post Curtis Harrington – Usher (2002) first appeared on Cinema of the World.

Quote:
Beginning in the reality of American middle-class life, Picnic portrays the idealistic dream-quest of the protagonist, from which he is finally cast off. Harrington himself described the film thus: ‘A satirical comment on middle-class life frames a dream-like continuity in which the protagonist pursues an illusory object of desire.’

Curtis Harrington, widely regarded as one of the important avant-garde directors of the 1940’s, as well as an early influential figure in what would come to be known as ‘New Queer Cinema,’ was born in Los Angeles in 1926. He began making films as a teenager, often deeply surreal, intuitive, and owing much to the writings of Edgar Allan Poe. After graduating from UCLA with a degree in film studies, his unique career trajectory led him from the academic circles of cinematic criticism (he wrote a publication on the films of Josef von Sternberg); to the Hollywood assistant desk of writer/producer Jerry Wald; to the elite group of independent filmmakers associated with Kenneth Anger (the two remained life-long friends and colleagues); to the famed film factory of cult icon Roger Corman; then on to his own stint in the world of genre movie-making with Night Tide and Games; and most unpredictable of all, to finding commercial success in television. This publication, a joint effort between Flicker Alley and Drag City featuring restorations carried out by the Academy Film Archive on a single-disc Blu-ray/DVD combo, comprised of six short films by the late experimental filmmaker, as well as bonus interview footage and rarely-seen early works.

Once upon a time, the U.S. of A. had our own Jean Cocteau in the making, but he was too early for the 1960s window that let his spiritual kin (Kenneth Anger) and progeny (Andy Warhol) in, and we consigned him to a downward trajectory of increasingly camp-value-laden features until he finally had to make his living directing scattered episodes of addictive-crap TV like Dynasty. But a little treasure trove of Curtis Harrington’s dreamlike, lush, sexually ambiguous, and death-obsessed short films remains, the newly restored versions of which have now been carefully compiled for this new Blu-ray release, and they are a revelation. In the five shorts that he made between 1946 and 1955, Harrington, using more imagination and inspiration than material resources, used the magical medium of cinema to inscribe his wordless visions of the ineffable exaltations and horrors of sex and death, longing, and perpetually mutable identity onto celluloid in a way more famously associated with Luis Bunuel or David Lynch; in some ways, in the chronological aesthetic lineage of cinema, he’s the long-missing link between the two. But it’s much better late than never to have the chance to get lost in Harrington’s transfixing, seductive miniature dreamscapes; The Curtis Harrington Collection is the most gratifying resurrection of an undeservedly obscured film artist to be bestowed upon us in quite some time, and is sure to secure the ascension of these lost, strange, highly accomplished labors of love to their rightful place — right up alongside the best of Maya Deren and Stan Brakhage — in the pantheon of American avant-garde/experimental cinema. Highly Recommended.

Picnic.1948.1080p.BluRay.AC3.x264.mkv

General
Container:  	Matroska
Runtime: 	22mn 19s
Size: 	1.49 GiB
Video
Codec: 	x264
Resolution: 	1444x1080 
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	9 344 Kbps
BPP: 	0.250
Audio
#1:  	2.0ch AC-3 @ 192 Kbps

Language(s):None
Subtitles:None

The post Curtis Harrington – Picnic (1948) first appeared on Cinema of the World.

Quote:
Long considered lost, this was Harrington s first color film. It was shot in Venice, Italy, and not unlike Fragment of Seeking, follows a masked figure through the labyrinthine canals of the city, building to a spectacular climax.

Curtis Harrington, widely regarded as one of the important avant-garde directors of the 1940’s, as well as an early influential figure in what would come to be known as ‘New Queer Cinema,’ was born in Los Angeles in 1926. He began making films as a teenager, often deeply surreal, intuitive, and owing much to the writings of Edgar Allan Poe. After graduating from UCLA with a degree in film studies, his unique career trajectory led him from the academic circles of cinematic criticism (he wrote a publication on the films of Josef von Sternberg); to the Hollywood assistant desk of writer/producer Jerry Wald; to the elite group of independent filmmakers associated with Kenneth Anger (the two remained life-long friends and colleagues); to the famed film factory of cult icon Roger Corman; then on to his own stint in the world of genre movie-making with Night Tide and Games; and most unpredictable of all, to finding commercial success in television. This publication, a joint effort between Flicker Alley and Drag City featuring restorations carried out by the Academy Film Archive on a single-disc Blu-ray/DVD combo, comprised of six short films by the late experimental filmmaker, as well as bonus interview footage and rarely-seen early works.

Once upon a time, the U.S. of A. had our own Jean Cocteau in the making, but he was too early for the 1960s window that let his spiritual kin (Kenneth Anger) and progeny (Andy Warhol) in, and we consigned him to a downward trajectory of increasingly camp-value-laden features until he finally had to make his living directing scattered episodes of addictive-crap TV like Dynasty. But a little treasure trove of Curtis Harrington’s dreamlike, lush, sexually ambiguous, and death-obsessed short films remains, the newly restored versions of which have now been carefully compiled for this new Blu-ray release, and they are a revelation. In the five shorts that he made between 1946 and 1955, Harrington, using more imagination and inspiration than material resources, used the magical medium of cinema to inscribe his wordless visions of the ineffable exaltations and horrors of sex and death, longing, and perpetually mutable identity onto celluloid in a way more famously associated with Luis Bunuel or David Lynch; in some ways, in the chronological aesthetic lineage of cinema, he’s the long-missing link between the two. But it’s much better late than never to have the chance to get lost in Harrington’s transfixing, seductive miniature dreamscapes; The Curtis Harrington Collection is the most gratifying resurrection of an undeservedly obscured film artist to be bestowed upon us in quite some time, and is sure to secure the ascension of these lost, strange, highly accomplished labors of love to their rightful place — right up alongside the best of Maya Deren and Stan Brakhage — in the pantheon of American avant-garde/experimental cinema. Highly Recommended.

The.Assignation.1953.1080p.BluRay.AC3.x264.mkv

General
Container:  	Matroska
Runtime: 	7mn 30s
Size: 	512 MiB
Video
Codec: 	x264
Resolution: 	1444x1080 
Aspect ratio:  	4:3
Frame rate: 	23.976 fps
Bit rate: 	9 344 Kbps
BPP: 	0.250
Audio
#1:  	2.0ch AC-3 @ 192 Kbps

https://nitro.download/view/0AE82DEEAB96E3D/The.Assignation.1953.1080p.BluRay.AC3.x264.mkv

Language(s):None
Subtitles:None

The post Curtis Harrington – The Assignation (1953) first appeared on Cinema of the World.

Quote:
Harrington plays a young man desperately seeking out the fleeting image of a female companion, and though he never quite catches her, he discovers much more through the surreal explorations of his own sexuality. Made a year before Kenneth Anger’s Fireworks, the films contain some similarities in their treatment of homoerotic themes, though Fragment is more restrained and subtle.

Curtis Harrington, widely regarded as one of the important avant-garde directors of the 1940’s, as well as an early influential figure in what would come to be known as ‘New Queer Cinema,’ was born in Los Angeles in 1926. He began making films as a teenager, often deeply surreal, intuitive, and owing much to the writings of Edgar Allan Poe. After graduating from UCLA with a degree in film studies, his unique career trajectory led him from the academic circles of cinematic criticism (he wrote a publication on the films of Josef von Sternberg); to the Hollywood assistant desk of writer/producer Jerry Wald; to the elite group of independent filmmakers associated with Kenneth Anger (the two remained life-long friends and colleagues); to the famed film factory of cult icon Roger Corman; then on to his own stint in the world of genre movie-making with Night Tide and Games; and most unpredictable of all, to finding commercial success in television. This publication, a joint effort between Flicker Alley and Drag City featuring restorations carried out by the Academy Film Archive on a single-disc Blu-ray/DVD combo, comprised of six short films by the late experimental filmmaker, as well as bonus interview footage and rarely-seen early works.

Once upon a time, the U.S. of A. had our own Jean Cocteau in the making, but he was too early for the 1960s window that let his spiritual kin (Kenneth Anger) and progeny (Andy Warhol) in, and we consigned him to a downward trajectory of increasingly camp-value-laden features until he finally had to make his living directing scattered episodes of addictive-crap TV like Dynasty. But a little treasure trove of Curtis Harrington’s dreamlike, lush, sexually ambiguous, and death-obsessed short films remains, the newly restored versions of which have now been carefully compiled for this new Blu-ray release, and they are a revelation. In the five shorts that he made between 1946 and 1955, Harrington, using more imagination and inspiration than material resources, used the magical medium of cinema to inscribe his wordless visions of the ineffable exaltations and horrors of sex and death, longing, and perpetually mutable identity onto celluloid in a way more famously associated with Luis Bunuel or David Lynch; in some ways, in the chronological aesthetic lineage of cinema, he’s the long-missing link between the two. But it’s much better late than never to have the chance to get lost in Harrington’s transfixing, seductive miniature dreamscapes; The Curtis Harrington Collection is the most gratifying resurrection of an undeservedly obscured film artist to be bestowed upon us in quite some time, and is sure to secure the ascension of these lost, strange, highly accomplished labors of love to their rightful place — right up alongside the best of Maya Deren and Stan Brakhage — in the pantheon of American avant-garde/experimental cinema. Highly Recommended.

933MB | 13mn 41s | 1444×1080 | mkv

http://nitroflare.com/view/E6335CB560D2DDA/Fragment.of.Seeking.1946.1080p.BluRay.AC3.x264.mkv

Language:None
Subtitles:None

The post Curtis Harrington – Fragment of Seeking (1946) first appeared on Cinema of the World.

Shelly Winters is great at playing unhinged characters. In WHAT’S THE MATTER WITH HELEN?, she teams up with Debbie Reynolds in a tale about two mothers of convicted killers who move to california in order to escape the publicity and threats against them. Helen (Winters) begins to slowly unravel, revealing the true psychotic within. Haunted by the death of her husband, she becomes increasingly dangerous to herself and others, especially Adelle (Reynolds), who may or may not survive. There are some snappy dance routines (highlighting Debbie Reynolds’ talent and cuteness) scattered throughout. Watch for Dennis Weaver (Duel) as Adelle’s love interest.-WHOEVER SLEW AUNTIE ROO?- has Shelly Winters as Roo, the rich widow of a famous magician.
She lost her daughter Katherine in an accident and has trusted in a phony medium (Ralph Richardson) for years, paying him a small fortune so he can “contact” Katherine. Well, it’s all a big scam of course, helping to push Roo over the edge. Some children from a local orphanage visit “Auntie Roo” every christmas. This year, one of the little girls resembles Roo’s daughter, causing the bats in her belfry to really start a flappin’! She kidnaps the girl and her brother Christopher (Mark “Oliver” Lester), keeping them locked in her secret attic (did I mention that she keeps her mummified daughter up there too?). The rest is cat and mouse as the children try to escape Roo’s insanity. In the kids’ minds, they are living out “Hansel and Gretel”, with Roo as the perfectly wicked witch. If you enjoy movies where Shelly Winters goes crazy, then this double feature can’t be beat! Highly recommended… amazon

https://nitro.download/view/46995552CA8FB14/Whoever_Slew_Auntie_Roo_(1971)_KG.avi

Language:English

The post Curtis Harrington – Whoever Slew Auntie Roo? (1971) first appeared on Cinema of the World.