Comics – Cinema of the World https://worldscinema.torrentbay.st Tue, 15 Apr 2025 00:03:42 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://worldscinema.torrentbay.st/wp-content/uploads/2018/09/cropped-Vintage-Movie-Camera-Icon-32x32.png Comics – Cinema of the World https://worldscinema.torrentbay.st 32 32 Daniel Clowes – Eightball (1989-2004) https://worldscinema.torrentbay.st/2018/08/daniel-clowes-eightball-1989-2004/ https://worldscinema.torrentbay.st/2018/08/daniel-clowes-eightball-1989-2004/#comments Thu, 09 Aug 2018 14:50:39 +0000 https://worldscinema.torrentbay.st/?p=72517 Eightball is an alternative comic book series written and drawn by Daniel Clowes. The first issue was published by Fantagraphics Books in 1989. It has, since the 1990s, consistently been among the best-selling independently authored comics. Alienation is a recurring theme in the series. Clowes is also known for nuanced dialog and character delineation that …

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Eightball is an alternative comic book series written and drawn by Daniel Clowes. The first issue was published by Fantagraphics Books in 1989. It has, since the 1990s, consistently been among the best-selling independently authored comics.

Alienation is a recurring theme in the series. Clowes is also known for nuanced dialog and character delineation that is distinctly at odds with the broad approach stereotypically associated with comics.

The first extended piece serialized in Eightball was Like a Velvet Glove Cast in Iron. This work featured a disjointed, surrealistic storyline. Subsequently, Eightball has featured fewer short comedic and surreal stories in favor of longer storylines with more focus on character and interpersonal relationships. Ghost World, released as a graphic novel after being serialized in Eightball, is an example of this later approach. Ghost World was adapted by Clowes into a full-length feature film; Clowes (with his collaborator, director Terry Zwigoff) was nominated for an Academy Award for screenplay writing.

Clowes continues to issue Eightball sporadically, with the most recent issues (#22, 2002 and #23, 2004) each conceived as an artistically ambitious self-contained work, featuring oversized, all-color formats.

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Alejandro Jodorowsky – The Panic Fables Mystic Teachings and Initiatory Tales (2017) https://worldscinema.torrentbay.st/2018/05/alejandro-jodorowsky-the-panic-fables-mystic-teachings-and-initiatory-tales-2017/ https://worldscinema.torrentbay.st/2018/05/alejandro-jodorowsky-the-panic-fables-mystic-teachings-and-initiatory-tales-2017/#respond Sat, 05 May 2018 12:19:38 +0000 https://worldscinema.torrentbay.st/?p=68593 The complete series of filmmaker Alejandro Jodorowsky’s spiritual comics, translated into English for the first time • Contains all 284 of Jodo’s Panic Fables comics, published weekly from 1967 to 1973 in Mexico City’s El Heraldo newspaper • Includes an introduction describing how the Panic Fables came to be • Explains how he incorporated Zen …

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The complete series of filmmaker Alejandro Jodorowsky’s spiritual comics, translated into English for the first time

• Contains all 284 of Jodo’s Panic Fables comics, published weekly from 1967 to 1973 in Mexico City’s El Heraldo newspaper

• Includes an introduction describing how the Panic Fables came to be

• Explains how he incorporated Zen teachings, initiatory wisdom, and sacred symbology into his Panic Fables, as well as himself as one of the characters

In 1967, in response to theatrical censorship rules that put him on the political “black list” in Mexico City and caused his plays and his pantomime classes at the School of Fine Arts to be cancelled, Alejandro Jodorowsky decided to pursue a new form of artistic expression to earn his living: comics. Working with his friend Luis Spota, the editor of the cultural section of the newspaper El Heraldo de México, Jodo initially planned 3 months’ worth of weekly comics, which he would draw himself. However, his “Panic Fables”–named after his early ‘60s avant-garde theater movement in Paris–were met with such insatiable popularity that he continued the series for six and a half years, from June 1967 until December 1973.

Appearing for the first time in English, this book presents all 284 of Jodorowsky’s Panic Fables in full color, along with an introduction by the author. He reveals how his first comics reflected his pessimism about the future and the meaning of life, the negativity of which soon exhausted him. He realized he needed to show the positivity that he encountered in life, and thus, little by little, he began incorporating Zen teachings, initiatory wisdom, and sacred symbology into his Panic Fables. Through this transformation and the outpouring of support from his devoted readers, many of whom cite the Panic Fables as providing pivotal guidance during their adolescence, Jodo discovered that art can serve to heal as well as raise consciousness.

Writing himself into his comics, Jodo can be glimpsed as the character of the disciple who talks with his master and, as the series progresses, gradually grows to assume the role of master, providing psychomagic solutions to the problems of everyday life. In reading the complete Panic Fables in chronological order, much like his film The Dance of Reality, we witness in colorful detail Jodorowsky’s own path of spiritual growth.


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Robert Crumb – Bible of Filth (1986) https://worldscinema.torrentbay.st/2016/12/robert-crumb-bible-of-filth-1986/ https://worldscinema.torrentbay.st/2016/12/robert-crumb-bible-of-filth-1986/#respond Wed, 07 Dec 2016 08:35:35 +0000 https://worldscinema.torrentbay.st/?p=59822 Bible of Filth by Robert Crumb Published January 1, 1986 by Futuropolis, Paris Printed in France Board book, 200 pages ISBN 10 : 2737653134 ISBN 13 : 9782737653131 Collection of Robert Crumb’s more sexually charged material. Selections taken from Snatch Comics #1, 2, 3; Jiz Comics; Zap Comics #3, 4, 6, 10; XYZ Comics; Your …

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Bible of Filth
by Robert Crumb
Published January 1, 1986 by Futuropolis, Paris
Printed in France
Board book, 200 pages
ISBN 10 : 2737653134
ISBN 13 : 9782737653131

Collection of Robert Crumb’s more sexually charged material. Selections taken from Snatch Comics #1, 2, 3; Jiz Comics; Zap Comics #3, 4, 6, 10; XYZ Comics; Your Hytone Comics; Bijou Funnies #3; Big Ass Comics #1, 2; Motor City Comics #2; Homegrown Funnies; Uneeda Comics; Arcade #1, 7; San Franciso Comic Book #2; Black and White Comics; Carload O’Comics; Promethean Enterprises #4; Snoid Comics; Mr. Natural #1; Weirdo #8, 11. Limited printing of 1000 copies

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Pink Floyd – Dark Side of the Moon Tour Comic Book (1975) https://worldscinema.torrentbay.st/2013/03/pink-floyd-dark-side-of-the-moon-tour-comic-book-1975/ https://worldscinema.torrentbay.st/2013/03/pink-floyd-dark-side-of-the-moon-tour-comic-book-1975/#respond Sun, 17 Mar 2013 19:23:35 +0000 https://worldscinema.torrentbay.st/?p=14431 “Super All-Action Official Music Programme For Boys And Girls!” High quality scans – jpeg, 1704 x 2204 px, 199 px/inch. Nice trinket for Pink Floyd fans. http://www.nitroflare.com/view/5EB5B85CBFAD63C/Pink.Floyd-Dark.Side.of.the.Moon.Tour.Comics.rar no pass

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“Super All-Action Official Music Programme For Boys And Girls!”
High quality scans – jpeg, 1704 x 2204 px, 199 px/inch.
Nice trinket for Pink Floyd fans.

http://www.nitroflare.com/view/5EB5B85CBFAD63C/Pink.Floyd-Dark.Side.of.the.Moon.Tour.Comics.rar

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Daniel Clowes – Ghost World (1997) https://worldscinema.torrentbay.st/2013/01/daniel-clowes-ghost-world-1997/ https://worldscinema.torrentbay.st/2013/01/daniel-clowes-ghost-world-1997/#respond Fri, 11 Jan 2013 13:40:13 +0000 https://worldscinema.torrentbay.st/?p=13327 from the Fantagraphics website: “Ghost World avoids all the clichés of the gen-X genre, presenting a melancholy, affecting portrait of two teen-age girls, best friends whose intertwined lives afford them a certain sanity, while the threat of separation brings home the tenuousnes of their shared reality.” “[Clowes] demonstrates that the medium, in the hands of …

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from the Fantagraphics website:
“Ghost World avoids all the clichés of the gen-X genre, presenting a melancholy, affecting portrait of two teen-age girls, best friends whose intertwined lives afford them a certain sanity, while the threat of separation brings home the tenuousnes of their shared reality.”

“[Clowes] demonstrates that the medium, in the hands of an expert, can generate narratives as complex and textured as any work of fiction”
—SPIN ONLINE

“Clowes’s comics unsettlingly combine scathing hilarity and queasy, misanthropic nastiness.”
—WORLD ART

“Clowes creates serious dramatic work that happens to be in comics form… It could well make him the famous artist that he might not want to be.”
—PRINT

“[Clowes] spells out the realities of teen angst as powerfully and authentically as Salinger did in Catcher and the Rye for an earlier generation.”
—VILLAGE VOICE

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Charles Burns – Black Hole (1995 – 2005) https://worldscinema.torrentbay.st/2013/01/charles-burns-black-hole-1995-2005/ https://worldscinema.torrentbay.st/2013/01/charles-burns-black-hole-1995-2005/#respond Fri, 11 Jan 2013 13:30:52 +0000 https://worldscinema.torrentbay.st/?p=13325 Quote: November 7, 2005 | “Everything’s either concave or -vex,” the Danish poet Piet Hein once wrote, “so whatever you dream will be something with sex.” In Charles Burns’ decade-in-the-making graphic novel “Black Hole,” the natural concavity and -vexity of everything leaps out at you: Nearly every image is a sexual metaphor, with the distorted …

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Quote:
November 7, 2005 | “Everything’s either concave or -vex,” the Danish poet Piet Hein once wrote, “so whatever you dream will be something with sex.” In Charles Burns’ decade-in-the-making graphic novel “Black Hole,” the natural concavity and -vexity of everything leaps out at you: Nearly every image is a sexual metaphor, with the distorted clarity and mutability of a nightmare. And sex in “Black Hole” also means body horror, sickening transformations and loss. The first page’s abstraction — a thin, wobbling slit of light on a black background — opens up to become wider and fleshier, then to become a blatantly vaginal gash in a frog on a dissecting pan (surrounded by pools and pearls of liquid). That’s only the beginning of the book’s array of weenie roasts and clumsy tongues and trees leaning away from each other like spread legs.

Burns originally serialized “Black Hole” as a 12-issue comic book series, beginning in 1995; a New York Times Magazine article last year offhandedly compared its reputation in the comics world to that of “Ulysses.” That’s not a particularly useful analogy, not least because Burns’ narrative gifts are much more visual than verbal. The only thing the two books really have in common is a formally audacious structure, with a chronology complicated enough that it takes a few readings to work out. (“Black Hole” is riddled with flashbacks, flash-forwards, and multiple perspectives.) What made each issue of the comic worth the long wait was its sustained tone. Chip Kidd (who designed the jacket), speaking on a panel this summer, pointed out that Burns had managed to keep his drawing style perfectly consistent for the 10 years it took to finish. The mood of the story moves in a slow, graceful arc from its initial plunge into repulsion to its final glints of hope; every panel suggests that Burns knew what it would look like from the moment he began the book.

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Alejandro Jodorowsky – The Incal, The Metabarons & The Technopriests (2002) https://worldscinema.torrentbay.st/2012/12/alejandro-jodorowsky-the-incal-the-metabarons-the-technopriests-2002/ https://worldscinema.torrentbay.st/2012/12/alejandro-jodorowsky-the-incal-the-metabarons-the-technopriests-2002/#respond Tue, 11 Dec 2012 11:10:23 +0000 https://worldscinema.torrentbay.st/?p=11750 The Incal 1-12 The Metabarons 1-17 The Technopriests volumes 1 and 2 (ongoing series). https://nitro.download/view/21D4D38F3598145/Alejandro_Jodorowsky_Comics.rar no pass

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The Incal 1-12
The Metabarons 1-17
The Technopriests volumes 1 and 2 (ongoing series).

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