Claude Lanzmann – Cinema of the World

Claude Lanzmann – Shoah (1985)

admin — Mon, 13 May 2024 22:15:00 +0000

Shoah (1985)

A 1985 French documentary film directed by Claude Lanzmann about the Holocaust (also known as the Shoah). The film primarily consists of his interviews with survivors and persons who had experience of the war, and visits to key Holocaust sites across Poland, including three extermination camps. He presents testimony from survivors, witnesses and bystanders, and perpetrators, including some rare interviews with German personnel.
As Claude Lanzmann does not speak Polish, Hebrew or Yiddish, he depended on translators to work with most of his interviewees. This process enlarged the scale of the documentary, which is nine hours and twenty-three minutes long.While winning notable awards, the film also aroused controversy and criticism, particularly in Poland. People criticized it for failing to show or discuss the many Poles who rescued Jews, or to recognize that millions of Poles were also killed by the Germans in an extermination campaign.

Shoah.Part.1.1985.720p.BluRay.x264-GECKOS.mkv

General
Container:  	Matroska
Runtime: 	4h 34mn
Size: 	9.85 GiB
Video
Codec: 	x264
Resolution: 	992x720 
Aspect ratio:  	1.378
Frame rate: 	23.976 fps
Bit rate: 	4 486 Kbps
BPP: 	0.262
Audio
#1:  	English 1.0ch AC-3 @ 640 Kbps (DTS)

https://nitro.download/view/4193685C74191E7/Shoah.Part.1.1985.720p.BluRay.x264-GECKOS.mkv
https://nitro.download/view/AF982C4894F96CC/Shoah.Part.2.1985.720p.BluRay.x264-GECKOS.mkv

Language(s):English
Subtitles:English

The post Claude Lanzmann – Shoah (1985) first appeared on Cinema of the World.

Claude Lanzmann – Pourquoi Israël AKA Israel, Why (1973)

admin — Thu, 10 Aug 2023 10:45:46 +0000

Quote:
Using interviews and other footage shot especially for this documentary, French director Claude Lanzmann investigates the state of Israel in 1972. This movie concentrates on Israelis going about their business of everyday living. One interview shows the reactions of a concentration camp survivor, now a police chief, to being called a “Nazi” by demonstrators. Another segment follows the experiences of a Russian Jewish immigrant, beginning with his first visit to the Wailing Wall and continuing to his disturbing perception that he is welcomed more by virtue of his being Russian than for the fact that he is Jewish.

Quote:
Lanzmann’s 1973 film, Pourquoi Israel (Why Israel), linked Jewish identity in Israel to the recent history of the Holocaust. It premiered three days after the Yom Kippur War broke out in Israel. During the making of this film, Lanzmann met his wife, a German-Jewish writer to whom the film is dedicated.

pourquoi israël 1 & 2 (1972).avi
xvid 640x480 25fps
mpga stereo 48khz 102kbps
1:34:38 & 1:36:55

rencontre avec claude lanzmann (2006)
xvid 640x352 25fps
mpga stereo 48khz 99kbps
43:25

Language:English, French
Subtitles:english for french parts & french for english parts (sub, idx)

The post Claude Lanzmann – Pourquoi Israël AKA Israel, Why (1973) first appeared on Cinema of the World.

Claude Lanzmann – Le dernier des Injustes aka The last of the Unjust (2013)

admin — Tue, 02 Jul 2019 09:26:36 +0000

Quote:
1975. In Rome, Claude Lanzmann filmed Benjamin Murmelstein, the last President of the Jewish Council in the Theresienstadt ghetto, the only “Elder of the Jews” not to have been killed during the war. A rabbi in Vienna, following the annexation of Austria by Germany in 1938, Murmelstein fought bitterly with Adolf Eichmann, week after week for seven years, managing to help around 121,000 Jews leave the country, and preventing the liquidation of the ghetto.
2012. Claude Lanzmann, at 87 – without masking anything of the passage of time on men, but showing the incredible permanence of the locations – exhumes these interviews shot in Rome, returning to Theresienstadt, the town “given to the Jews by Hitler”, a so-called “model ghetto”, but a ghetto of deceit chosen by Adolf Eichmann to dupe the world. We discover the extraordinary personality of Benjamin Murmelstein: a man blessed with a dazzling intelligence and a true courage, which, along with an unrivaled memory, makes him a wonderfully wry, sardonic and authentic storyteller.
Through these three periods, from Nisko in Poland to Theresienstadt, and from Vienna to Rome the film provides an unprecedented insight into the genesis of the Final Solution. It reveals the true face of Eichmann, and exposes without artifice the savage contradictions of the Jewish Councils.

Peter Bradshaw at The Guardian wrote:
Claude Lanzmann’s fascinating interview with the only Jewish ‘elder’ who negotiated with Adolf Eichmann is a subtle study in survivor non-guilt

At 87, Claude Lanzmann is still capable of enforcing his film-making personality on European cinema: he is a landmark in the shadow of his great subject, the Holocaust. His film, Shoah, is now best seen not merely as an incomparable record, but as an intervention in history, an insistence on eyewitness testimony and compelling truth. This new film is a remarkable companion to his masterpiece Shoah: a fascinating encounter, recorded in Rome in the 1970s, while working on his great film but not used at the time, for reasons that Lanzmann leaves us to ponder.
It is an interview with Benjamin Murmelstein, an Austrian Jew and last surviving “chairman” of the Theresienstadt ghetto, near Prague, a supposedly comfortable Potemkin-style arrangement that was part of a sickening pantomime of ostensible good faith after the Anschluss. Murmelstein explains that their inhabitants, and the world, were distracted with the fatuous fantasy of being shipped over to Madagascar: a cynical euphemism for the death marches and extermination, in which Murmelstein was held to be complicit. The Nazis coerced leading Jews to be their administrative “elders” there, a queasy use of Judeophobe-propagandist terminology, and Murmelstein was the last surviving example (his predecessors were murdered by the Nazis).
He was a man hated after the war for being a collaborator. But he was someone who perhaps saved lives due to his endless and often terrifying negotiations with Adolf Eichmann on the subject of emigration, when the Nazi authorities still believed that allowing Jews to depart without their money might be practicable and profitable.
Lanzmann treats Murmelstein with generosity, emphasising the cruelty and sadism with which these elders were treated. Murmelstein is a riveting subtle study in survivor non-guilt – voluble, eloquent and shrewd. But as the story progresses towards 1945, and the fact that Thereisenstadt’s inhabitants perished and he did not, Murmelstein becomes increasingly vehement and even slightly hysterical.
Lanzmann sombrely introduces his film at the railway station. These stations – modern places with their tracks receding endlessly over the horizon – look like anti-memorials. As for Murmelstein, he is almost, like Eichmann, a refugee, in exile or hiding. Lanzmann himself is perhaps part interlocutor and part confessor, like Gitta Sereny with Albert Speer. The film itself is haunted and haunting.

5.45GB | 3h 39mn | 1024×576 | mkv

https://nitro.download/view/2C20C8E681DB344/Le_dernier_des_injustes_-_Claude_Lanzmann_(2013).mkv

Language:German, French
Subtitles:English

The post Claude Lanzmann – Le dernier des Injustes aka The last of the Unjust (2013) first appeared on Cinema of the World.

Claude Lanzmann – Sobibor, 14 octobre 1943, 16 heures (2001)

admin — Tue, 11 Jun 2019 18:40:00 +0000

The Sobibor uprising in 1943 in Poland was investigated by Mr. Lanzmann many years ago when he was filming “Shoah” and his interviews with a participant named Lerner date from then. The director felt that the Sobibor uprising, which led to the closure of the extermination camp by the Nazis after many escaped, was too important to be a small part of his epic documentary. Now he has returned to this little known story.

Although Mr. Lerner is alive and well in Israel, Mr. Lanzmann felt that the much earlier footage of his extensive interview with the heroic survivor was all he needed and, in fact, the film is the interview itself. It follows Mr Lerner’s displacements from Warsaw ghetto to Sobibor, through Minsk ghetto and many other camps.

At Sobibor, where Jews were usually gassed almost immediately upon arrival, a small number were selected for slave labor. Knowing that they were doomed and led by an experienced soldier, a Jewish captain of the Red Army, a handful of inmates resolved to kill the few Germans in command of the large and brutal Ukrainian contingent that actually did most of the dirty work.

Despite the horror of the situation and Mr. Lerner’s subdued but dramatic recitation of his many escapes from German hands before landing in Sobibor, both he and the audience can not resist a smile when he repeatedly emphasizes that the escape plot could never have succeeded but for the Germans’ compulsive, indeed fanatical, penchant for punctuality. That was the key to quickly killing them before any discovered what was coming down. Each was lured to a different camp shop with their “appointments” spaced only a few minutes apart.

The film ends with a long recitation by the director of the dates, places of origin and numbers of each of the transports to Sobibor. Chilling – and this infamous monument to madness was only one extermination camp.”

3.28GB | 1h 42mn | 956×576 | mkv

https://nitro.download/view/08C12157FA46174/Sobibor,_14_octobre_1943,_16_heures_-_Claude_Lanzmann_(2001).mkv
https://nitroflare.com/view/46379838789A934/Sobibor,_14_Octobre_1943,_16_Heures_(2001)__english_.srt

Language:Hebrew, French
Subtitles:English

The post Claude Lanzmann – Sobibor, 14 octobre 1943, 16 heures (2001) first appeared on Cinema of the World.

Claude Lanzmann – Les quatre soeurs – L’arche de Noe (2017)

admin — Sat, 29 Dec 2018 08:26:12 +0000

Her consistently and relentlessly painful account during the shoot of Claude Lanzmann’s Shoah makes for an attempt at understanding how one can be part of a convoy which – with Eichmann’s agreement – saved hundreds of Hungarian Jews while at the same time some 450.000 of their kin were either dying in the gas chambers of Birkenau, or burned alive in the open air in order to keep up with the pace the Nazis demanded.

1.35GB | 1 h 8 min | 1280×720 | mkv

https://nitro.download/view/6D868D4FA8719DA/Four_Sisters_4.mkv

Language:Hebrew and French
Subtitles:French (hardcoded)

The post Claude Lanzmann – Les quatre soeurs – L’arche de Noe (2017) first appeared on Cinema of the World.

Claude Lanzmann – Les quatre soeurs – Baluty (2017)

admin — Sat, 29 Dec 2018 08:16:11 +0000

Of the hundred ghettos that dotted the Polish countryside, the one in Lodz had existed for the longest. It was ruled with an iron fist by the president of the Jewish council of elders, Chaim Mordechai Rumkowski, known as “King Chaim” – a man convinced he could save part of the community by turning them into manpower to serve the Germans.

1.22GB | 1 h 4 min | 1280×720 | mkv

https://nitroflare.com/view/253CB08F9413117/Four_Sisters_3.mkv

Language:English
Subtitles: French (hardcoded)

The post Claude Lanzmann – Les quatre soeurs – Baluty (2017) first appeared on Cinema of the World.

Claude Lanzmann – Les quatre soeurs – La Puce joyeuse, Ada Lichtman (2017)

admin — Sat, 29 Dec 2018 08:05:06 +0000

From MUBI:
Four Sisters, a quartet of Lanzmann documentaries that recently premiered at the New York Film Festival, avoids many of the pitfalls of the often-irascible documentarian’s lesser films by dint of its remarkable self-effacement. Devoted to the frequently jaw-dropping stories of four women who survived the Holocaust, the films—The Hippocratic Oath, Baluty, The Merry Flea, and Noah’s Ark— confirm that filmed oral history is Lanzmann’s métier. This seems particularly noteworthy in an era where the macro-historical approach of scholars such as Timothy Snyder has become embraced as the best conceptual tool for defining and explicating the Holocaust. The testimonies in Shoah, however, function superbly as micro-historical artifacts. Lanzmann’s choice to foreground women exclusively in Four Sisters is not addressed directly but could be considered either compensation for primarily featuring men in his cycle of Holocaust films or aligned to an implicit assertion that the women portrayed in the films possess a special brand of courage and perseverance.

0.98GB | 52 min 26 s | 1280×720 | mkv

https://nitro.download/view/AE7FA33829CB6C8/Four_Sisters_2.mkv

Language:German
Subtitles: French (hardcoded)

The post Claude Lanzmann – Les quatre soeurs – La Puce joyeuse, Ada Lichtman (2017) first appeared on Cinema of the World.