from amazon:
The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer’s thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailer’s cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmaker’s six films created during the years of 1947 and 1987, and contends to show how Mailer’s films can be best read as cinematic delineations that visually represent many of the writer’s metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailer’s cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailer’s desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more: he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, “Film is legitimately more interesting than books…” and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself.

https://nitro.download/view/50639F93FE41F50/Cinema_of_Norman_Mailer.pdf

Language(s):English

many thanks to @Justin Bozung for this pdf

The post Justin Bozung – The Cinema of Norman Mailer (2017) first appeared on Cinema of the World.

Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema – The Archers.
Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters.

https://nitro.download/view/E525B705B10A757/Arrows_of_desire_-_Christie,_Ian_-_New_ed.,_London,_1994_-_Faber_and_Faber.pdf

no pass

The post Ian Christie – Arrows of Desire: The Films of Michael Powell and Emeric Pressburger (1994) first appeared on Cinema of the World.

Golden Goddesses vibrantly casts light upon twenty-five significant women involved in the erotic film industry during its Golden Era, between the years 1968-1985 when participation in adult productions was illegal. Profiling performers, directors, scriptwriters and costumers, Golden Goddesses is a palate of insights, intimacy, vulnerability and strength, as it immerses readers into the lives of these celebrated and audacious females. Delicately crafted with film highlights and more than 300 photos, Golden Goddesses captures the quintessence of a rebellious spirit from days gone by. Featuring the author’s own interviews with Marilyn Chambers, Seka, Kay Parker, Rhonda Jo Petty, Serena, Georgina Spelvin, Juliet Anderson, Candida Royalle, Sharon Mitchell, Gloria Leonard, Annie Sprinkle, Ann Perry, Jody Maxwell, Barbara Mills, Veronica Hart, Kelly Nichols, Ginger Lynn, Kitten Natividad, Amber Lynn, Laurie Holmes, Christy Canyon, Julia St. Vincent, Roberta Findlay, Nina Hartley & Raven Touchstone.

REVIEWS:
“There have been very few writers who have managed to write about this revolutionary era of cinema with such a level of respect, warmth and intelligence like Jill Nelson. Golden Goddesses is a present to the curious, converted and most importantly, to the pioneering women who bucked the status quo concepts of what ‘nice girls’ should or shouldn’t do. The women featured here are artists, writers, mothers, sisters and daughters, each of whose stories are unique and human.” — Heather Drain, Film writer, mondoheather.blogspot.com
“At nearly 1000 pages, this is no fluff piece, and Nelson’s (and her publisher’s) willingness to allow the space necessary for these women to voice their experiences – diverse, unexpected, often inspirational, sometimes sad, occasionally unsettling, should be applauded. Nelson’s agenda-free approach is refreshing in that it allows for the full spectrum of experiences: good, bad, and in between. The project prompts questions, provokes critical thinking and opens up a space for these women to truly voice themselves.”

“The book is a series of in-depth interviews that Nelson did (for the most part, in person) with 25 of the most interesting female personalities from the golden years of adult cinema. She doesn’t just dictate and call it a day. Nelson is a skilled writer, and provides ongoing context for much of what is being said by her subjects. She clearly put many of her subjects at ease. This is the real deal. I found this book absolutely essential.” — Robin Bougie, Cinema Sewer Magazine

“The layers which Nelson manages to peel back in order to expose the people behind the personas, is outstanding. Anyone with a serious interest not just in the history of adult film, but in the very definition of celebrity and the rise and fall that goes along with it should consider this a must read. Never before has a book tackled its subject with the grace and care which Nelson shows here.”

“Golden Goddesses is a noteworthy book due to many factors with perhaps the first being Nelson’s incredibly refreshing non-judgmental stand and writing style. The main attitudes that leap off the pages of Golden Goddesses are defiance, independence, originality and strength. These twenty-five artists are ultimately not anyone’s victims… they remain, for the most part, wonderfully rebellious free spirits who LIVED a full life and Jill C. Nelson has served them up a fitting and powerful tribute with Golden Goddesses.”

Author Comments:
In this book, I have accentuated twenty-five resplendent women of the golden age of erotic films who worked on both the east and west coasts of the United States between the years 1968-1985. My intention is to escort readers toward a clearer understanding of the beautiful and intrepid females who favored an alternative profession in adult cinema that was cultivated at the apex of the 1960s sexual revolution. By the early 1970s, porno was chic, and performers helmed by artful directors were personified in genuine scripts, supported by costuming and make-up departments in quality film projects that often culminated in red carpet premieres. Several individuals, and particularly women who began working in loops and sexually oriented films prior to the “porno chic” juncture, and/or up until the mid-1980s video boom, became legitimate silver screen stars. To suggest that their chosen path has been comfortable or without debris would be false, for as each unfolding story will reveal, experiences for a female employed in the adult entertainment industry during the generation when it was illegal to participate in the production of sex films, were anything but ordinary…Jill C. Nelson

https://nitro.download/view/4410F9EA3A3423D/GOLDEN_GODDESSES__25_LEGENDARY_WOMEN_OF_CLASSIC_EROTIC_CINEMA,_1968-1985.epub

Language(s):English

The post Jill C. Nelson – Golden Goddesses: 25 Legendary Women of Classic Erotic Cinema (1968-1985) (2012) first appeared on Cinema of the World.

Quote:
Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts – industrial and cultural, as well as aesthetic and critical – the themes of Kubrick’s films sum up the current vibrant state of Kubrick studies.

Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick’s contribution to cinema. After a substantial introduction outlining Kubrick’s life and career and the film’s production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and offer new, often archive-based, state-of-the-art research. In addition, it is specifically tailored to the needs of students wanting an authoritative, accessible overview of academic work on Kubrick.

https://nitro.download/view/799D19CCB714DB8/The_Bloomsbury_Companion_to_Stanley_Kubrick.pdf

no pass

The post Nathan Abrams & I. Q. Hunter (eds.) – The Bloomsbury Companion to Stanley Kubrick (2021) first appeared on Cinema of the World.

From New York Times bestselling author Scott Eyman, this is the story one of the most influential studios in film history, from its glory days under the leadership of legendary movie mogul Darryl F. Zanuck up to its 2019 buyout by Disney.

March 20, 2019 marked the end of an era – Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled – and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was.

Contents
Introduction
Chapter One: Sunrise
Chapter Two: What Price Glory?
Chapter Three: Over the Hill
Chapter Four: The Mark of Zanuck
Chapter Five: How Green Was My Valley
Chapter Six: Stand Up and Cheer
Chapter Seven: No Way Out
Chapter Eight: The Razor’s Edge
Chapter Nine: What a Way to Go!
Chapter Ten: The Turning Point
Photos
Bibliography
Notes

https://nitro.download/view/15B2A9864EFA99A/Scott_Eyman_-_20th_Century-Fox_(2021).epub

Language(s):English

The post Scott Eyman – 20th Century-Fox: Darryl F. Zanuck and the Creation of the Modern Film Studio (2021) first appeared on Cinema of the World.

“Countless books have been written about Greta Garbo since her self-imposed exile in the 1940s, yet this comprehensive biography may be the final word. Gottlieb’s research is so complete and his style so engaging that this book almost reads like an oral biography told through a singular voice… This is a brilliantly written and constructed portrait of a true icon of the cinema…” (Library Journal)

“Searching and sensitive … A lengthy “Garbo reader” full of excerpts and articles about her rounds out Gottlieb’s perfectly paced account and the wealth of photos is a plus. The result is a masterful look at an elusive Hollywood giant….” (Publishers’ Weekly)

“Gottlieb’s deeply affecting book is a loving tribute to a great Swedish-American actress – an absolutely must-read for Garbo freaks. With the help of more than 200 wonderful movie stills and other photos, Gottlieb brings all these films to life, detailing her frequently somber portrayals of tragic characters. His attention to small details and warm writing style will engross even readers unfamiliar with Garbo’s films…” (Kirkus Review)

“Gottlieb seems for this project to have consumed everything written in English about Garbo and her circle. Garbo’s Hollywood films are the heart of the book, and Gottlieb pithily describes all the star vehicles she was paid handsomely to push uphill. Gottlieb’s critiques of the finished films hold them to today’s standards of watchability while appreciating their old-school charms. Gottlieb evinces sympathy and fondness for Garbo..” (Boston Globe)

“Greta Garbo still belongs to that moment in cinema when the apprehension of the human countenance plunged crowds into the greatest perturbation, where people literally lost themselves in the human image as if in a philter, when the face constituted a sort of absolute state of the flesh which one could neither attain nor abandon. Some years earlier, Valentino’s face caused suicides; Garbo’s still participates in that same realm of amour courtois when the flesh develops certain mystical sentiments of perdition…” (Roland Barthes, Mythologies)

Contents
Why Garbo?
1: Garbo Before Stiller
2: Garbo And Stiller In Europe
3: Garbo And Stiller In America
4: Garbo And Gilbert
5: Garbo And MGM: The Silent Years
6: Garbo Talks
7: Garbo Off-screen
8: Garbo, Salka, And Mercedes
9: Garbo Goes On Talking
10: Garbo Gone
11: Garbo On Her Own
12: Garbo And Some Men In Her Life
13: Garbo, Money, And Art
14: Garbo And Beaton
15: Garbo At Home And Abroad
16: Garbo

Why Garbo
A Garbo Gallery
A Garbo Reader
Kenneth Tynan’s Profile Of Garbo
Garbo, The Harrisons, And The Windsors
24 Hours With Greta Garbo
James Harvey On Camille
Edward G. Robinson In All My Yesterdays
Glimpses Of Garbo
Colleagues On Garbo
Comments On Garbo
Garbo In Books
Garbo In Songs
Filmography
Bibliography
Acknowledgments
Notes
Index

https://nitro.download/view/293699AAAC3148B/Robert_Gottlieb_-_Garbo_(2021).epub

Language(s):English

The post Robert Gottlieb – Garbo (2021) first appeared on Cinema of the World.

Quote:
A monumental work of scholarship on one of the most important and neglected areas of film history, Richard Abel’s massive study is already clearly destined to occupy a position of deserved pre-eminence in relation to all foreseeable future work done on this seminal period in French cinema. At once a work of critical synthesis and a compendium of infor-mation containing much original research, it remains indispensible less for its overall critical argument than for its wealth of data, making it more valuable as a reference source than as a “definitive” history. The book is divided into four sections, any one of which contains enough important material to constitute a significant book in its own right: “The French Film Industry,” “The Commercial Narrative Film,” “The Alternative Cinema Network”and “The Narrative Avant-Garde.” — Jonathan Rosenbaum

INDEX:

Introduction xi
Acknowledgments xvii
Note on Terms xxi

I. The French Film Industry
Introduction 5
The War: Collapse and Reconstruction 7
Production: From Independent Artisan to International Consortium 15
Distribution: The Divided Country 38
Exhibition: “We’re in the Money” 49
Silence in the Face of Sound 59

II. The Commercial Narrative Film
Introduction 69
Serials 71
Bourgeois Melodramas 85
Realist Films 94
Fairy Tales, Fables, and Fantasies 138
Arabian Nights and Colonial Dreams 151
Flistorical Reconstructions 160
Modern Studio Spectaculars 205
Comics and Comedies 220

III. The Alternate Cinema Network
Introduction 241
The Beginnings of a Film Criticism 241
Film Journals 245
Cine-Clubs 251
Specialized Cinemas 257
Proliferation and Crisis 260
Preservation 272

IV. The Narrative Avant-Garde
Introduction 279
The Alternate Cinema Network, Auteurs, and Genres 282
Stylistics and Subjectivity 286
The Fields of Discourse and Narrative 290
J’Accuse (1919) and Rose-Franee (1919) 295
L’Homme du large (1920) and El Dorado (1921) 305
Fievre (1921) and La Femme de nulle part (1922) 313
La Roue (1922-1923) 326
La Sounante Madame Beudet (1923) and L’lnondation (1924) 340
L’Auberge rouge (1923) and Coeur fidele (1923) 351
Le Brasier ardent (1923) and La Fille de I’eau (1925) 367
Paris qui dort (1924) and Entr’acte (1924) 377
L’lnhumaine (1924) 383
Memlmontant (1926) and Rien que les heures (1926) 395
En rade (1927) and Llnvitation au voyage (1927) 408
Feu Mathias Pascal (1925) and Maldone (1928) 415
Napoleon, vu par Abel Gance (1927) 428
L’lmage (1926), 6V2 X 11 (1927), and La Glace a trois faces (1927)
La Chute de la maison Usher (1928) and La Petite Marchande
d’allumettes (1928) 463
La Coquille et le clergyman (1928) and Un Chien andalou (1929) 475
La Passion de Jeanne d’Arc (1928) 486
Finis Terrae (1929) and Gardiens de Phare (1929) 500
LArgent (1929) 513

Afterword 527
Notes 531
Bibliography 601
Filmographies 631
Index 641

https://nitro.download/view/FB95B5818BD5B4A/French_Cinema_The_First_Wave_-_Richard_Abel.pdf

https://tezfiles.com/file/2bd76585d205b/French_Cinema_The_First_Wave_-_Richard_Abel.pdf

Language:English

The post Richard Abel – French Cinema: The First Wave, 1915-1929 (1984) first appeared on Cinema of the World.