When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don’t catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them.

Hawa.2023.720p.SonyLiv.WEB-DL.DDP5.1.H.264-VoltaX.mkv

General
Container:  	Matroska
Runtime: 	2 h 5 min
Size: 	1.64 GiB
Video
Codec: 	h264
Resolution: 	1280x720 
Aspect ratio:  	16:9
Frame rate: 	25.000 fps
Bit rate: 	1 601 kb/s
BPP: 	0.069
Audio
#1:  	Bengali 5.1ch E-AC-3 @ 256 kb/s

https://nitro.download/view/256EECE75F802AE/Hawa.2023.720p.SonyLiv.WEB-DL.DDP5.1.H.264-VoltaX.mkv

Language(s):Bengali
Subtitles:English

The post Mejbaur Rahman Sumon – Hawa (2022) first appeared on Cinema of the World.

A daring Bangladeshi teenager attempts to help her struggling family by disguising herself as a boy and driving her father’s prized rickshaw for much needed extra money. Based on the acclaimed novel by Mitali Perkins.

4.02GB | 1h 41m | 2546×1080 | mkv

https://nitro.download/view/3403F57C89097B3/Rickshaw.Girl.2021.1080p.KNPY.WEB-DL.AAC2.0.x264-EKiN.mkv
or
https://fikper.com/RhNxQNO7rc/Rickshaw.Girl.2021.1080p.KNPY.WEB-DL.AAC2.0.x264-EKiN.mkv.html

Language:English
Subtitles:English

The post Amitabh Reza Chowdhury – Rickshaw Girl (2021) first appeared on Cinema of the World.

Quote:
When a sculptor visits a remote fishing village on the Bangladeshi Delta, he finds himself center stage in a primal, elemental conflict between land and sea, man and nature, past and future.

Quote:
Bangladeshi writer-director Rezwan Shahriar Sumit’s first feature, The Salt in Our Waters [+], took part in the Göteborg Film Festival’s Ingmar Bergman Competition after showing at the BFI London and Busan Film Festivals. It is a lively, warm film dealing with the themes of authority, personal freedom, religion and climate change through a straightforward story of a city man coming to his late father’s village.

We meet thirty-something sculptor Rudro (Titas Zia) in a Bay of Bengal port as he first fails to grasp the necessity of bribing an official who won’t let his big, wooden box onto the boat without inspection. Once at his destination, a remote mangrove island on the Bangladeshi delta, he is warmly welcomed by his host Bashar (Ashok Bepari) and a bunch of men who are happy to unload the cargo for free. Also coming to meet the stranger is the village chief (Fazlur Rahman), whom they call “Chairman”, a controlling religious and moral leader.

Rudro came to the island for inspiration for his newest installation. When the men open the box, there are three humanoid figures wrapped in plastic, and they instantly flinch. Bangladesh is a deeply Muslim country, and the difference between forbidden idols and artistic sculptures is not clear-cut.

The bright-eyed, optimistic Rudro loves the simple beach hut he is renting from Bashar. He unpacks his sculptures and starts working on them, and some village kids, led by Bashar’s young son Taher, become interested. Soon, a bunch of boys are sitting in the studio, working with clay. They are watched with disapproval by the village men, who see this as an affront to Allah. Taher’s older sister Tuni (Tasnova Tamanna) is also attracted to the stranger, but she has to be especially careful.

When on the first day of the fishing season, which is the primary source of subsistence for the village, the boats come back almost empty, Chairman blames it on Rudro’s “idolatry”. The educated man’s climate-based explanation is in vain, and a toxic atmosphere has been created. The fish will return the next day, confirming Rudro’s prediction, which earns him back some respect, but he will become a target again after he is seen alone with Tuni.

But a cyclone is coming, and Chairman urges the fishermen to go out despite the risk, to pay no heed to the warnings on the radio, as Allah will protect them. Of course, Rudro has a completely different perception, and his inherent sense of humanity makes him act upon it.

It is a simple, straightforward story that pits two worldviews against each other, but Rudro’s tolerant character serves as a filter that prevents a simplified, black-and-white conflict. The film also feels very honest, as if this is exactly what the director thinks and feels about his country.

Visually, the picture is a feast, but not in a gaudy, Bollywood-esque way. The skies are overcast most of the time, which makes the sand look ochre, rather than golden, and the shallow waters brownish. The greenery is lush, but the colourful clothing of the villagers is nicely patinated. The most striking scene concerns a huge tanker stranded in the sand: a post-apocalyptic image as if from The Planet of the Apes that hints at climate change, which Bangladesh faces more urgently than most countries.

With her handheld camera, Thai DoP Chananun Chotrungroj often focuses on the tactile and the dynamic: the hands of boys making sculptures, the sweaty faces of men planting fishing poles from their boats and the sari-wrapped bodies of women working in the gardens.

5.19GB | 1h 41m | 1920×1080 | mkv

https://nitro.download/view/2EFDF30DC2C01D6/Nonajoler.Kabbo.2020.1080p.HBO.WEB-DL.AAC2.0.H.264-playWEB.mkv

Language(s):Bengali
Subtitles:English,Hungarian,Romanian

The post Rezwan Shahriar Sumit – Nonajoler Kabbo AKA The Salt in Our Waters (2020) first appeared on Cinema of the World.

Chittagong is a seaport in southern Bangladesh that has become the center of a thriving industry in the Third World — breaking up old and obsolete ships and selling the scrap metal, usually to construction firms.

1.86GB | 1h 25m | 720×576 | mkv

https://nitro.download/view/9CEB426018C340B/Eisenfresser.AKA.Iron.Eaters.2007.DVDRip.x264-FPHP.mkv

Language(s):Bengali
Subtitles:English,German

The post Shaheen Dill-Riaz – Lohakhor AKA Ironeaters AKA Eisenfresser (2007) first appeared on Cinema of the World.

Synopsis：
　In this stark moral thriller, selected for the Un Certain Regard section of Cannes, an embattled medical scholar fights institutional sexism.
　　Bengali widow Rehana Maryam Noor is a busy assistant professor who rules over her medical students and her young daughter with the same cautious eye. When she learns that her supervisor is sexually harassing one of their trainees, she throws herself into a campaign to force the institution to respond. But which will break first: the iron wall that shields abusers or Rehana’s own strict moral code?
　　Writer/director Abdullah Mohammad Saad tells the propulsive, disturbing story of an individual’s struggle against systemic wrongdoing in his second feature film-the first Bangladeshi film to be selected for the Cannes Film Festival’s Official Selection. With DOP Tuhin Tamijul’s exploratory, claustrophobic camerawork and Azmeri Haque Badhon’s intensely magnetic performance, Rehana Maryam Noor offers a perceptive examination of the injustice of normalization and the costly risks of seeking redress.
　　”Azmeri Haque Badhon makes an impressive and disturbing impression as a woman whose pursuit of justice threatens to destroy her and those around her.” -Daily Screen.

5.64GB | 1h 47m | 1920×800 | mkv

https://nitro.download/view/4619AFF3CEDCF80/Rehana.2021.1080p.AMZN.WEB-DL.DD+2.0.H.264-Fxe.mkv

Language:Bengali
Subtitles:English

The post Abdullah Mohammad Saad – Rehana Maryam Noor (2021) first appeared on Cinema of the World.

As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION

1.93GB | 1h 47m | 712×384 | mkv

https://nitro.download/view/0BEFC96D4EF3CE8/Television.2012.DVDRip.x264.mkv
or
https://tezfiles.com/file/30ce8d5da9e32/Television.2012.DVDRip.x264.mp4

Language(s):Bengali
Subtitles:English

The post Mostofa Sarwar Farooki – Television (2012) first appeared on Cinema of the World.

Plot:
Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn’t give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game in which he is a part too.
Aynabaji received large positive reviews.The movie has received a good response from both critics and audience.

Aynabaji has a spin-off TV series titled Aynabaji-Original series. Gayatri, an official Indian Telugu remake of Aynabaji has been released in 9 February 2018.The theme of Aynabaji little inspired in Tamil movie Darbar When Prateik Babbar make proxy in Jail in this movie.

1.99GB | 2h 27m | 1920×816 | mkv

https://nitro.download/view/6DF07880C770A9B/Aynabaji_aka_Mirror_Game_2016.mkv

Language(s):Bangla
Subtitles:English Hardsub

The post Amitabh Reza Chowdhury – Aynabaji AKA Mirror Game (2016) first appeared on Cinema of the World.