Abel Ferrara

Synopsis:

A homicidal maniac is on the loose, killing motorists at random in his “death car” – after losing his brother to the twisted assassin “Skull”, Rick Benten becomes a vigilante, and takes it upon himself to hunt down the reckless drivers that fill the streets at night. Being a master mechanic, Rick spends his time converting his pickup truck into an armed and dangerous vehicle – with speed to take on the fastest car, and strength to make sure in a one-on-one situation, he will be the only survivor. The cops soon find out about the vigilante known only as the “Gladiator” and do all they can to catch him before his citizen’s arrests go one step too far – but will they find the Gladiator before the Gladiator finds Skull? When the two finally meet, it’s a duel to the death and maybe an end to Rick’s career as the vigilante.Read More »

A documentary directed by Abel Ferrara for the series ‘BOATS – Based On A True Story’ about the Padre Pio di Pietrelcina. Read More »

Based on the Short Story by: William Gibson
This film has got alot of mixed reactions. Some hate it, as they most likely expected alot more from a William Gibson adaptation with such a well known leading cast, others feel that it is an excellent science fiction movie that is getting an unncessary amount of criticism. Ill be honest I havent watched it yet, but scrolling through taking the screenshots i noticed that there is lots of Asia Argento titties…and they are spectacular. I’ll let you guys decide how good the film is for yourself.Read More »

A kaleidoscopic look at the last day of Italian filmmaker Pier Paolo Pasolini in 1975.

synopsis

Abel Ferrara documents the final day in the life of Italian writer, director, and poet Pier Paolo Pasolini in this deeply reflective biopic starring Willem Dafoe. The year is 1975. The fiercely political Pasolini (Dafoe) is in the process of defending his latest film Salo, 120 Days of Sodom from the censors when he returns home to his mother’s house in Rome, and prepares to discuss his career in a candid interview. In the midst of all of this inspiration strikes, and Pasolini begins making preparations for his next film. Meanwhile, the director takes a handsome young hustler to a local beach for a late night tryst, never sensing the danger that dwells out there in the darkness until it’s already too late.Read More »

Synopsis:
Welcome to New York is a 2014 French-American drama film co-written and directed by Abel Ferrara. Inspired by the Dominique Strauss-Kahn affair, the film was released on 17 May 2014 by VOD on the internet as the film failed to secure a place on the official selection at the 2014 Cannes Film Festival, nor was it picked up for theatrical distribution in France and is facing self-censorship by the French media, according to Vincent Maraval, one of the producers.Read More »

synopsis

Bad Lieutenant director Abel Ferrara takes the helm of this allegorical drama concerning an actress locked in the throes of a profound spiritual crisis, and the affect that it has on both the director of her latest film and a New York journalist. Marie Palesi (Juliette Binoche) is a major European screen star who has just finished shooting her latest film, a revisionist religious drama directed by maverick American film director Tony Childress (Matthew Modine). In the film, Palesi portrayed the character of Mary Magdalene not as a common prostitute, but a full-fledged disciple whose power struggle with Peter set the stage for centuries of controversy. But the role has had a greater impact on Palesi than anyone could have foreseen, and after the shoot wraps, she makes the decision to remain in the Middle East and make a pilgrimage to Jerusalem. A year later, New York investigative journalist Ted Younger (Forest Whitaker) is producing a week-long network series examining the historical facts about Jesus Christ. After attending a screening for Childress’ film, Younger contacts the director about the possibility of interviewing both himself and Palesi for the project. Unfortunately for Younger, Palesi has disappeared and Younger has no idea how to track her down. But while married journalist Younger is currently having an affair with an actress (Marion Cotillard) who just happens to know Palesi’s number in Jerusalem, convincing the elusive starlet to appear on his special will pose a whole new set of challenges. by Jason BuchananRead More »

4:44 is a look at how a painter and a successful actor spend their last day together before the world comes to an end.

Ferrara began shooting the film in April 2011 with his longtime cinematographer Ken Kelsch. 4:44 is Willem Dafoe’s third collaboration with Ferrara after 1998’s New Rose Hotel and his last feature film, 2007’s Go Go Tales. During Montclair State University’s film forum event in February 2011, Ferrara revealed that Ethan Hawke was slated to star originally. The film was shot in one location, an apartment, set during the course of the last 24 hours before the biblical apocalypse.

The film showed in competition at the 68th Venice International Film Festival in September 2011. It had a limited theatrical release on 25 March 2012.Read More »

The Chelsea Hotel has long been considered the creative epicentre of New York City, a sort of unofficial gathering point for the most renowned artists and entertainers that the city has to offer. But while the Chelsea Hotel was once thought an impenetrable, untouchable monument to the creative spirit, an early 21st century renovation led many to believe that the new management company had little appreciation for its unique history. Dennis Hopper, Milos Forman, Robert Crumb, Ethan Hawke, Grace Jones, and a whole host of Chelsea Hotel regulars all chime in with their fondest memories about the New York landmark, and their thoughts about what may be in store for the iconic building in the future.Read More »

Quote:
For my money, Abel Ferrara’s remake of a remake — namely Philip Kaufman’s Invasion of the Body Snatchers, based on Don Siegel’s classically paranoid 1956 SF adaptation of Jack Finney’s effective novel The Body Snatchers — doesn’t match the Siegel original, though it’s a lot scarier and more memorable than Kaufman’s low-key, new-agey version. Kaufman shifted the action from a small California town to San Francisco, while Ferrara–shooting a script by Stuart Gordon, Dennis Paoli, and Nicholas St. John from a screen story by Raymond Cistheri and Larry Cohen — locates the action in an Army compound in Alabama. Read More »